56|TAUT

archival pigment on velvet matte, unique cyanotypes, flocking powder and resin on plywood, hay
exhibition with Hannah Barefoot
2013


 

 

Adapting Alvin Lucier’s theory of resonant frequencies to the visual realm, I used a conceptual framework to re-present the complete contents of a popular magazine.  It’s constructed from a series of sets where the first generates the second, which creates the third and so forth—reducing the set by half each time until nothing but the resonant image is left.