archival pigment on velvet matte, unique cyanotypes, flocking powder and resin on plywood, hay
exhibition with Hannah Barefoot



Adapting Alvin Lucier’s theory of resonant frequencies to the visual realm, I used a conceptual framework to re-present the complete contents of a popular magazine.  It’s constructed from a series of sets where the first generates the second, which creates the third and so forth—reducing the set by half each time until nothing but the resonant image is left.